Ah, Eesti Laul. A gem of a Eurovision national final, with fabulous genre diversity and a genuine sense that we’re seeing the best of a small and largely interconnected music scene. Last year we covered Eesti Laul (Semi 1, Semi 2) and ended up in the press room at Saku Suurhall doing interviews with the artists and having a great deal of fun being the pretend jurors in the dress rehearsal. I’ll be going again this year, and as I said in the Curtain Up post I’m particularly hoping that I’ll be talking to Iiris and Frankie Animal.
So, let’s have a go at the first songs. There’s a lot of tropical house derived stuff to get through… (Official Mission Statement of National Final Season 2018)
You can listen to the songs here.
Aden Ray “Everybody’s Dressed”
This one reminds me of a very stripped back Constellation Prize, but Aden has a vocal quality that I can’t quite warm to. With there being so many genre songs in this semi, I think it’s got a reasonable chance of getting to the final, but I worry about the stability of his high and breathy head voice live. If it won, it would need a big old revamp. You could put a distorted harmonica on it. Maybe.
Desiree “On My Mind”
Extremely young sounding Carly-Rae Jepsen type stuff. It’s got something tonally in common with Liis Lemsalu’s 2017 Eesti Laul song Keep Running. It’s got a bit of that post-dancehall vibe to it, but the beach that it’s making you think of is firmly on the Baltic coast.
Elina Nechayeva “La forza”
Sitting prettily between Randajad and La Voix, this is a lovely fusion of your shiny Scandi-Baltic electronic atmospheric pop synths with a soprano giving it some welly. I wouldn’t put it past the Estonians to send this in a fit of operatic pique. A reasonable outside bet. Also the the 7th Heaven Remix would be BANGING and you know you want that.
If you liked Vihm last year, or you generally enjoy a bit of Baltic trad (and you’re gutted that Baltic won’t be competing in Latvia’s Supernova) then this is the one for you. An achingly slow burn with a haunting call and response melody. Next year at Eesti Laul songwriting camps can they get a folk artist to do a writing session with one of the electro/post-dubstep artists? I would love to hear those beautiful ornate vocals juxtaposed with some very grindy beats and a big drop. See oleks põnev.
Iiris & Agoh “Drop That Boogie”
A totally cute and sparkly song about the perennial millennial state of mind – the world is messed up, I am failing the generational expectations set for me by my parents, but I realise that success is a construct and so I’m going to drop that boogie and give the means of production a good old shake on the dancefloor. Iiris is a UK-based Estonian singer who I’ve had my eye on for a couple of years – her happy/sad banger ‘Stranger’ from the summer was one of songs of 2017 – and I really expect to see this in the final.
Here we go with the slightly mathematical indie funk of Miljardid. It’s really, really sparse in the verses, has a lovely set of hooky backing vocals (which is useful for non-Estonian speakers to be able to get some sort of a grasp on the song) and a quite startling breakdown which stops the repeated final chorus from dragging.
Sibyl Vane “Thousand Words”
On this single the raw and bluesy edge that has characterised their previous work has been polished up into something a bit more friendly to the wider public ear. Thousand Words is a bit like a slightly more cheery Interpol, or an emotionally vulnerable Franz Ferdinand, with the shifting and chugging guitar lines propelling us along. I can imagine the live version of this will have a great deal of intensity and power, but Helena will have to walk the line between being true to her authentic performance style and adapting to work with the cameras.
Stig Rästa “Home”
Oh my word. It’s just before Christmas so I am maximally susceptible to a sentimental song in 12/8. This is probably . This festively cosy swayalong vibe is what Ed Sheeran was also going for he was doing Perfect. This is a very nice listen indeed. Wait. Does he sing about watching Game of Thrones? YES! Sleep on the balcony, watch a little GoT. Stig, you marvel. See you in the final. Although, I do have my concerns that this might sound too Christmassy to do well in March, let alone in May.
Tiiu x Okym x Semy “Näita oma energiat”
Starting off with some moderately epic sax tooting and then introducing Okym & Tiiu spitting filthy sounding moon language rhymes over a spacey, juddering interpretation of a post-dancehall beat. It’s a few bpm and decibels away from being Igranka, but you get the idea. They’ve also got Semy of Estonian Eurovision winners 2XL involved, so they’re pretty serious. I am also looking forwards to talking to Tiiu, who looks like she means business. In the intro interview, she’s towering over her bandmates, wearing studded baby pink latex, a decorative merkin/sporran arrangement made of pom poms and a demure expression. Yass, challenging fashion queen.
Vajé “Laura (Walk With Me)”
Weirdly downbeat song from the Estonian/Armenian duo. There’s something a bit Chris Rea about the guitar solo, and then something a bit Heroes about the bridge into the chorus. I am not a fan of the genre, but this is definitely a nicely executed version of the thing that this is, which is country influenced pop.