A Summer Blast of Baltic Chill

Hello! There have been a series of interesting new releases from the Baltic nations this week. Let’s run through them.

Starting in Estonia, long-running faves Frankie Animal are back with Playful. It’s in the same vein as their ultra-cool Eesti Laul entry (Can’t Keep Calling) Misty, but with a positive, sunshiney air instead of the damp misery of a heart getting kicked in down a subway.

Moving south to Latvia, we’re keeping the sun-drenched, stretched-out vibe going with Like You – a collaboration between retrowave synth revivalists Kasetes and beautifully be-mulletted experimental art/music/concepts icon MNTHA.

[MNTHA bandcamp] [Kasetes bandcamp]

This week’s most troubling Baltic new release is the return of Lolita Zero. Not content with bringing watermelon smashing, protruberant aubergine-coloured horns and Jurijus’ stealth falsetto to the Lithuanian Eurovision Selection Marathon, Lolita now returns with a deeply credible electro sad-banger. I’m so pleased and so confused.

Also, note that Borderline Queen is exactly 3 minutes long, so please join me in shaking your fists at the Eurovision gods who didn’t allow this in the 2019 Lithuanian Beige Tune Rammy.

Sõnum – Tintura

Hello there! I’ve emerged from my Eurovision stupor to share with you some excitingly earthy Estonian music. Genre-wise, I’m not sure. Your guess is as good as mine. There’s beats, there’s chanting, there’s a fiddle and you can definitely dance to it, but other than that all I can say is – THIS IS GREAT.

Tintura are on Bandcamp.

Tintura are on Soundcloud

Eesti Laul 2018: The First Semi Final Drop

Ah, Eesti Laul. A gem of a Eurovision national final, with fabulous genre diversity and a genuine sense that we’re seeing the best of a small and largely interconnected music scene. Last year we covered Eesti Laul (Semi 1, Semi 2)  and ended up in the press room at Saku Suurhall doing interviews with the artists and having a great deal of fun being the pretend jurors in the dress rehearsal. I’ll be going again this year, and as I said in the Curtain Up post I’m particularly hoping that I’ll be talking to Iiris and Frankie Animal.

So, let’s have a go at the first songs. There’s a lot of tropical house derived stuff to get through… (Official Mission Statement of National Final Season 2018)

You can listen to the songs here.

Aden Ray “Everybody’s Dressed”

This one reminds me of a very stripped back Constellation Prize, but Aden has a vocal quality that I can’t quite warm to. With there being so many genre songs in this semi, I think it’s got a reasonable chance of getting to the final, but I worry about the stability of his high and breathy head voice live. If it won, it would need a big old revamp. You could put a distorted harmonica on it. Maybe.

Desiree “On My Mind”

Extremely young sounding Carly-Rae Jepsen type stuff. It’s got something tonally in common with Liis Lemsalu’s 2017 Eesti Laul song Keep Running. It’s got a bit of that post-dancehall vibe to it, but the beach that it’s making you think of is firmly on the Baltic coast.

Elina Nechayeva “La forza”

Sitting prettily between Randajad and La Voix, this is a lovely fusion of your shiny Scandi-Baltic electronic atmospheric pop synths with a soprano giving it some welly. I wouldn’t put it past the Estonians to send this in a fit of operatic pique. A reasonable outside bet. Also the the 7th Heaven Remix would be BANGING and you know you want that.

Etnopatsy “Külm”

If you liked Vihm last year, or you generally enjoy a bit of Baltic trad (and you’re gutted that Baltic won’t be competing in Latvia’s Supernova) then this is the one for you. An achingly slow burn with a haunting call and response melody. Next year at Eesti Laul songwriting camps can they get a folk artist to do a writing session with one of the electro/post-dubstep artists? I would love to hear those beautiful ornate vocals juxtaposed with some very grindy beats and a big drop. See oleks põnev.


Iiris & Agoh “Drop That Boogie”

A totally cute and sparkly song about the perennial millennial state of mind – the world is messed up, I am failing the generational expectations set for me by my parents, but I realise that success is a construct and so I’m going to drop that boogie and give the means of production a good old shake on the dancefloor. Iiris is a UK-based Estonian singer who I’ve had my eye on for a couple of years – her happy/sad banger ‘Stranger’ from the summer was one of songs of 2017 – and I really expect to see this in the final.

Miljardid “Pseudoprobleem”

Here we go with the slightly mathematical indie funk of Miljardid. It’s really, really sparse in the verses, has a lovely set of hooky backing vocals (which is useful for non-Estonian speakers to be able to get some sort of a grasp on the song) and a quite startling breakdown which stops the repeated final chorus from dragging.

Sibyl Vane “Thousand Words”

On this single the raw and bluesy edge that has characterised their previous work has been polished up into something a bit more friendly to the wider public ear. Thousand Words is a bit like a slightly more cheery Interpol, or an emotionally vulnerable Franz Ferdinand, with the shifting and chugging guitar lines propelling us along. I can imagine the live version of this will have a great deal of intensity and power, but Helena will have to walk the line between being true to her authentic performance style and adapting to work with the cameras.

Stig Rästa “Home”

Oh my word. It’s just before Christmas so I am maximally susceptible to a sentimental song in 12/8. This is probably . This festively cosy swayalong vibe is what Ed Sheeran was also going for he was doing Perfect. This is a very nice listen indeed. Wait. Does he sing about watching Game of Thrones? YES! Sleep on the balcony, watch a little GoT. Stig, you marvel. See you in the final. Although, I do have my concerns that this might sound too Christmassy to do well in March, let alone in May.

Tiiu x Okym x Semy “Näita oma energiat”

Starting off with some moderately epic sax tooting and then introducing Okym & Tiiu spitting filthy sounding moon language rhymes over a spacey, juddering interpretation of a post-dancehall beat. It’s a few bpm and decibels away from being Igranka, but you get the idea. They’ve also got Semy of Estonian Eurovision winners 2XL involved, so they’re pretty serious. I am also looking forwards to talking to Tiiu, who looks like she means business. In the intro interview, she’s towering over her bandmates, wearing studded baby pink latex, a decorative merkin/sporran arrangement made of pom poms and a demure expression. Yass, challenging fashion queen.

Vajé “Laura (Walk With Me)”

Weirdly downbeat song from the Estonian/Armenian duo. There’s something a bit Chris Rea about the guitar solo, and then something a bit Heroes about the bridge into the chorus. I am not a fan of the genre, but this is definitely a nicely executed version of the thing that this is, which is country influenced pop.

Curtain Up On Eurovision 2018 – A Tale of Two Idas

We’re starting to see the first few national final line-ups for Lisbon 2018, and there is a bit of Listen Outside interest scattered all over the contest. Let’s take a tour. Let’s start with the ScandiNordics.

In Sweden, Ida Redig  will be taking part in Melodifestivalen. We were obsessed with her Swedish-language pop which sounds like stripped-back Italo house, complete with breathy vocals. It’s unlikely she’ll wrestle the ticket to Lisbon out of the hands of Liamoo or Mariette, but it’s lovely to see someone new and this exciting come through Christer Bjorkman’s neo-schlager factory.

Next door in Norway, it’s not been confirmed yet, but we’re expecting Ida Maria to be participating in Melodi Grand Prix. Last year, she was the songwriter for Mama’s Boy -a piece of sexually assertive uptempo pop with the melodic hookiness you’d recognise if you were a fan of Ida’s first album Fortress Round My Heart. Her style has also encompassed roots and acoustic blues, but last summer she popped out a beautifully mellow and melancholic song called You. I love the vocal mellotron effect on the harmonies.

Over in Estonia, there is plenty to get excited about in Eesti Laul. Perennial Listen Outside faves Frankie Animal have brought the deeply slinky and sophisticated (Can’t Keep Calling) Misty which makes me want to turn up the collar on my trenchcoat and disappear into the fog under a gaslamp after breaking someone’s helpless heart.

We’re also going to be treated to a song by Iiris (whose recent single Stranger was one of my sounds of the summer) and Ago called Drop The Boogie which I’m expecting to be a shimmering dancefloor confection.  New to me, but no less thrilling is Sybil Vane and they’re as sexy and thematically dark as you’d imagine a band named after an Oscar Wilde character to be. Their song Thousand Words isn’t out at time of writing, but gosh, give me some of that noir.

In other intriguing Estonian prospects, Girls In Pearls bring lush pop (also, they are twins), Evestus have industrial new wave type stuff, there shall be various pop tracks, some rough naughty hip-hop, a dollop of ambient dubstep and some guy named Stig.

We already know that Finland are totally spoiling us by bringing Saara Aalto to the party, with presumably a huge stage production and an epic power ballad banger hybrid, which the 100 year old nation will select on March 3rd.

That just leaves Denmark (about which I’m none the wiser) and Iceland. So far there haven’t been any rumours about participants in Songvakeppnin, but I am pretty sure there’ll be something almost almost as good as Is This Love?

Next up: an in-depth look at the Latvia Supernova semi-finalists and some rending of garments over songs already lost to their process.

Daniel Levi – Jõululaulud

I know that it’s not quite December yet, but I feel like you might be in the mood for some very pleasant, low key Christmas songs in Estonian. I certainly am.

Daniel Levi was one of the highlights of Eesti Laul 2017, and because everyone in the Estonian music scene knows one another, his Christmas EP features a lovely seasonal duet with fellow Eesti Laul finalist Liis Lemsalu. You might also want to know that Daniel Levi kept the Eurovision vibe going all year by doing a very creditable Slavko in the Estonian version of ‘Your Face Sounds Familiar’.

Laniakea – SUMRA

I bet you thought that I was totally 100% on top of all the latest Mick Pedaja news. Well, here’s some that I missed.  He has this new project, SUMRA, which takes the electronic side of his work to the next level. Laniakea is a seven track ambient album which incorporates samples of vocal techniques from around the world into gorgeously floaty dreamscapes. Enjoy!

Hingus – Sven Grünberg

What do I like more than ambient music? I like proggy analog synth ambient music. What do I like more than proggy analog synth ambient music? Vintage Estonian proggy analog synth ambient music.

I wouldn’t normally go to the same country twice in a week (ED: this is a lie, especially as far as Estonia is concerned) but if Procrastination Queen was spiky, energetic and up to to minute, then Hingus is a smooth classic – dreamlike, spacious, airy, celestial. Pour yourself whatever it is you enjoy, and relax.

Sven Grünberg was a prog rocker in the Soviet era, which was logistically and ideologically difficult, but he’s survived musically to produce a great body of ambient and film music work and to chair the Estonian Institute of Buddhism. Nice one, Sven.

Procrastination Queen – Liisi Koikson

If you like some pop that occasionally hits with a blast of juddering guitar noise, then allow me to present Procrastination Queen by Liisi Koikson. It’s an ode to everyone’s favourite vice – putting it off for a little bit longer.

Liisi is, I think, technically a jazz singer, but Procrastination Queen gives her a chance to blast through all her registers in the course of a single song. It’s an anthem for all of us who need to get things done. In real life, apparently Liisi has no problems with procrastination, because her 4th album – Coffee For One – came out on April 18th. Here’s a bonus live version in the ERR studios.

According to her twitter, she was Team #Salvadorable for Eurovision 2017 and also does that hand trumpet thing. Also, the ‘procrastination queen’ necklace she’s selling on her website is top notch merch.

Liisi has a website

Liisi is on Facebook

Liisi is on twitter

Stranger – Iiris

Listen Outside has now been going long enough that the artists that I first picked up on & started recommending last year are now on their next lot of new material. Iiris was in the first batch of songs I gathered when I came back from Stockholm enthused about pop, and I thought she sounded very promising indeed. Now she’s back with a double A side of Stranger and Drugs & Money.

Stranger is a propulsive, unsettling pop tune. Iiris coos beautifully, but with an underlying strength -because what doesn’t kill us makes us stranger. If you like your pop freaky and happy/sad, you’ll like this.

She lives in London at the moment, and she’s doing a gig with fellow Eesti pop wunderkind NOEP in a couple of weeks. You should go to it! It’ll be great!

Iiris has a website

Iiris is on Facebook

Eesti Laul 2017: Semi Final 2 Preview

So last week in the Semi Final 1 preview I said that Estonia had the first song in 2017 that I thought had a chance at winning the big glass microphone. Well, between then and now the San Remo festival happened and everyone fell in love with this guy who dances with a gorilla and we all had some interesting initial chats about cultural appropriation. Now, I’m less sure that any of the Estonian songs can outscore a charming Italian philosophy lesson with an easily mimicked dance routine, but there’s still potential for great placings here.

Let’s examine the contenders:

Liis Lemsalu – Keep Running

There’s something incredibly warm hearted and joyful about this dancey uptempo number about the wonder of spontaneous adventure. Liis tells us that her backpack is packed and she’s ready to go. The contrast between the chiming verse synths and wild, rushing chorus is quite delightful. I’d like this one to qualify, but not at the cost of Angeelia.

Koit Toome & Laura  – Verona

This is just gorgeously atmospheric. Last year Laura came 2nd in Eesti Laul with a pretty decent song called Supersonic, but this year she’s teamed up with Koit Toome (who already represented Estonia in 1998) and I feel like this really could be her year. This Shakespearean epic starts with a pretty stark verse against a background of birdsong and night-time sounds, which made me think of Laura as Juliet on her balcony. Then Koit comes in and the whole thing kicks off, with our young lovers running up and down Italian backstreets hand in hand.

The ‘we are lost!’ call and response of the pre-chorus is structurally very striking, and lends itself to some potentially visually interesting stage direction. And then the chorus comes in with a nice wordless ‘ah’ bit to sing along with and the descending chimes in the backing track that really strike the ear. There have been goosebumps when I’ve been listening to this. This is the one that I thought could potentially give Estonia another Goodbye To Yesterday type result. Maybe it can?

Rasmus Randvee – This Love

A raw as you like slice of bluesy pop with swaggering brass and strutting pianos. The way that descending motif in the chorus is echoed by the backing vocals is superb. Love it. Not much more to say.

Kerli – Spirit Animal

So you know how we had a chat about cultural appropriation this week? I am braced for us to have another one once we see Kerli’s stage show at the weekend. Let’s do this. Spirit Animal has numerous lyrical references to Native American spiritual traditions as a metaphor for a romantic relationship. An American popstar wouldn’t go near this song – there’d be outcries and boycotts. What on earth is Kerli doing?

Now, I can see why this has happened. Twitstagram is full of teens saying that so-and-so pop star or TV actor is their spirit animal, and Coachella was full of people wearing Native American sacred headgear a few years ago. But the thing is, the Native American people have asked the twitstagram teens and the Coachella headdress wearers to leave their religious symbols alone. So lyrically, for me, Kerli is already on a deeply sticky wicket and if she turns up in some form of Native American costume on Saturday night, then I cannot get behind this.

The annoying thing about this is that Kerli could probably have done something really cool that draws upon her own Estonian folk traditions. She is a bona fide amazing popstar with an immense sense of theatre and a deeply involved fanbase. There’s no way she’s not getting to the final and it’ll take something special to beat her to Kyiv. With some lyrical tweaking this could be a cool song. I still strongly prefer Diamond Hard though.

Daniel Levi – All I Need

Ahhh, this is a big dreamy Eurovision love song with just enough modern production touches to sweep Daniel Levi into the final. I don’t think it’s actually distinctive enough to cut through a semi final – it has a certain smooth anonymity to it that would have you going ‘So who was it I was voting for?’ at the end of a crowded semi-final. It’s a nice pop song though.

Alvistar Funk Association – Make Love Not War

Hurrah! A novelty funk song about world peace and that. However, there are two problems:

1) The UK is not the same as England. In a song that makes a point of giving Kosovo a shout out, what happened to Scotland, Wales and Northern Ireland?

2) There’s something about the singer’s voice which puts me on edge. It’s like tearing cotton wool. 

It’s an entertaining miss, but in a strong semi final (I’d be happy if eight of the ten songs qualified) this is the first and last you’re going to hear of it. Unless the Estonian televote is much weirder than I could ever have imagined.

Close To Infinity feat Ian Karell – Sounds Like Home

So, this song is brought to you by the change in the Eesti Laul rules that means that you can have people who aren’t Estonian in your performance and songwriting team. Ian Karell is an American with Estonian parents and Sounds Like Home tells the story of his coming of age and how he found his true self by moving to Tallinn. It’s a beautifully funny immigrant story with a sort of anthemic chant-a-long quality. I really like this one too.

Almost Natural – Electric

This slow jam about remembering some particularly good rumpo somehow manages not to be sleazy. I don’t understand how. Anyway, it’s yet another really good modern pop song with a cool synth line in the chorus and a satisfyingly plump bassline. Why can’t we put 8 songs through to the final from this week?

Antsud – Vihm

This one goes out to all the fans of lutes and hurdy gurdies (hurdies gurdy?) all over Europe. An aggravatingly hummable, deeply insistent and really really fun song about rain. It’s always lovely to hear some folk music in a national selection process, even if there’s next to no chance at all of it making the final. Also I hope they do the UV body paint thing on the TV.

Angeelia – We Ride With Our Flow

Ah, this is really very pretty. It starts out with tinkly piano arpeggios and a delicate vocal then builds with a four to the floor beat and squelchy bass to something really exciting that pulsates with life. It’s as airy and ethereal as you like, chock full of structural surprises and interesting techniques. It sounds like a walk on a warm night with your sweetheart that ends up with you finding a rave in a starlit grove. I would love this to get to the final.

So, you have to pick just five qualifiers out of that. It’s going to be a tough one!

(I will flip the table and sulk forever if Angeelia doesn’t get to the final)