Not many left now!
For France, Illy Baze sonically shows us what Serhat thought he was trying to do. The visuals are interesting too: contrasting moody bisexual lighting on a deserted dancefloor with the quotidian details of the blessed Thérése herself. His album is pretty special too – cosmic themes and ASMR noises turn up on Extrateresse and Oumamama, named after the unknown space object moving through our solar system.
Trixie Whitley is a Belgian American pop artist from Ghent whose new single Heartbeat goes on a voyage through multi-layered trip hoppy cascading melodies. The accompanying album will be her 4th – I can’t believe I’d never been introduced to her music before because it is exactly my sort of thing.
After the earlier overload of football song cheese, let’s get sophisticated.
Babba are a Russian indie electronica duo from Samara, combining hypnotic spoken word vocals with the electronic dings and whooshes that sound a bit like Orbital.
Croatia are represented by Svemirko, who are doing very smooth melodic electropop.
I considered making this a normal Game On post, but no. Today is about football songs.
Sweden have not one but two top class novelty World Cup singles for 2018.
Exhibit 1: Samir & Viktor – Put Your Hands Up För Sverige
Exhibit 2: Du Vet Du – Vi Sjunger
What do England have for 2018?
There’s nothing official, but there’s the majestic earworm of the Kick Song.
And I’m sure you’re familiar with Three Lions, but I thought you might enjoy this energetic thrash of a cover from WALWIN. Is it… coming home
Let’s have a bit of summery pop for this sunny Friday afternoon.
For Uruguay we have pop duo Olvidate! (the exclamation point is part of the name). Now, when I’ve been researching Uruguayan chart pop I’ve noticed that the basic reggaeton rhythm has mutated in all sorts of directions. The one you’ll hear in Qué Calor is at the same time closer to a Euro dance rhythm but also contains some jarring moments that would be challenging on the dancefloor.
For France, Therapy TAXI are very interesting indeed. They’ve launched their new album Hit Sale with a sequence of three videos telling a weird and troubling exploitation story, but for today I’ve got you ADENA from their first album.
Phoneme-wise, it’s been a wee while since we’ve had a double ‘sw’ match in the knockout stages of the World Cup. In fact, since Swaziland have renamed themselves to eSwatini, this is now your only option.
For Sweden, home of sophisticated space age synth pop, we have some incredible throwback Italo disco from Carino Cat.
For Switzerland, home of the world’s largest particle accelerator, we have some ambient electro with absolutely fantastic sci-fi artwork.
Today’s afternoon fixture is a big, intense Central and South American party and we have some music to go with it.
For Brazil, meet Cofo de Parafernalha who have done something I never imagined hearing and combined cumbia vocals, crunchy new wave of heavy metal guitars and samba drums. It is WILD. I want to go to one of their gigs because I don’t know if we’d mosh or dance or what.
For Mexico, enjoy the sundrenched yet slightly melancholic psych of Acid Waves. Inferno Club sounds like it could be a lost song from that early noughties rock/dance wave that brought us The Rapture. Riffy and ace, never stops moving.
Back in May, I was in Lisbon, almost totally immersed in Eurovision. On my night off, I met up with two deeply excellent people – Ana and Rita of Anarchicks. The plan was to talk about the Portuguese underground music scene, gender politics and what it’s like for the locals when Eurovision comes to town. What actually happened was ten thousand times more awesome than that. Enjoy the wild and rambling ride…
So, please enjoy my chat with Ana and Rita and then have a massive rock out to their new single No Friend. I love their commitment to the visual storytelling about inner conflict and identity in the video clip. Plus, you know, they know how to rock looks.
You know the drill by now: more music, more football.
From Spain I’ve got you a rockabilly band with a lovely skeletal sound and a lot of energy. The Radions tour rockabilly festivals all over Europe, which are a very good time. Gig listings on their Facebook page.
For our Russian hosts, enjoy St Petersburg based Union Grail. Journey is track one on their new album, which contains some lovely tunes (Meet Me In Paris has a lovely bit of accordion on it).
Yes, I missed the match but I did pick you out some music. Let’s go.
For Egypt, we have the fab feminist art collective Bint Al-Masarwa with ساكتة ومش ساكتة which translates as ‘I was silent and not silent’. This is compelling music, combining traditional vocal styles, crunchy guitars, an insistent melody and a bit of a rap breakdown.
For Saudi Arabia, producer Majedalesa gives us Hwages (Concerns) in which three semi-anonymous female vocalists sing ‘May men go extinct, they give us psychiatric diseases’ whilst having a rare old time in bright frocks.
For Japan vs Senegal let’s get slightly less esoteric and slightly more chart-oriented.
For Japan let’s listen to Perfume who are a 3 piece girl group from Hiroshima Prefecture and I *think* they’ve kept the line up the same for a few years, which is unusual for the Japanese idol pop scene. This very slick bit of 21st century pop is called Infinite Future and is from the soundtrack of a movie called Chihayafuru. I love the tiny chiptunes breakdown about 75% of the way in.
For Senegal we have a fab girl group called (platform dependent) Safary Queens. If you were fans of UK garage girl group Misteeq back in the day, you can pick up right where they left off with the delightful Safary Queens. I’ve picked Fat Ndiaye Coumba Anta from their back catalogue because of the amazing officewear displayed in the video.